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Hindu mythology is the large body of
traditional narratives related to Hinduism, notably as contained in Sanskrit
literature, such as the Sanskrit epics and the Puranas. As such, it is a subset
of Indian mythology
Sources
The four Vedas, notably the hymns of the Rigveda, contained allusions to many
themes (see Rigvedic deities, Rigvedic rivers).
In the period of Classical Sanskrit, much material is preserved in the Sanskrit
epics, the Ramayana and the Mahabharata. Besides theology proper, the voluminous
epics also provide a plethora of information about ancient Indian society,
philosophy, culture, religion and ways of life.
The Puranas deal with stories that are older than the epics (Purana is Sanskrit
for "ancient"). The date of the Puranic texts as preserved however mostly
post-dates the epics, dating to the Early Middle Ages.
The epics themselves are set in different Yugas (epochs) or periods of time. The
Ramayana, written by the poet Valmiki, describes the life and times of Lord Rama
(the seventh avatar of Lord Vishnu) and occurs in the treta yuga, while the
Mahabharatha that describes the life and times of the Pandavas, occurs in the
Dwapara yuga, a period associated with Lord Krishna (the eighth avatar of Lord
Vishnu). In total, there are 4 Yugas. These are the Satya Yuga (or Krita Yuga),
the Treta Yuga, the Dvapara Yuga and finally the Kali Yuga.
The Bhagavata Purana is probably the most read and popular of the puranas. It
chronicles the story of the god Vishnu and his incarnations (avataars) on earth.
Vedic mythology
Main article: Vedic mythology
The roots of theology that evolved from classical Hinduism come from the times
of the Vedic civilization, from the ancient Vedic religion.
The characters, theology, philosophy and stories that make up ancient Vedic
myths are indelibly linked with Hindu beliefs. The Vedas are said to be four in
number, namely RigVeda, YajurVeda, SamaVeda, and the AtharvaVeda. Some of these
texts mention mythological concepts and machines very much similar to modern day
scientific theories and machines
Main article: Hindu Epics
The two great Hindu Epics, the Ramayana and the Mahabharata tell the story of
two specific incarnations of Vishnu (Rama and Krishna). These two works are
known as Itihasa. The epics Mahabharata and Ramayana serve as both religious
scriptures and a rich source of philosophy and morality for a Hindu. The epics
are divided into chapters and contain various short stories and moral
situations, where the character takes a certain course of action in accordance
with Hindu laws and codes of righteousness. The most famous of these chapters is
the Bhagavad Gita (Sanskrit: The Lord's Song) in the Mahabharata, in which Lord
Krishna explains the concepts of duty and righteousness to the hero Arjuna
before the climactic battle. These stories are deeply embedded in Hindu
philosophy and serve as parables and sources of devotion for Hindus. The
Mahabharata is the world's longest epic in verse, running to more than 30,000
lines.
Hinduism presents a number of accounts pertaining to cosmology, and several
explanations have been given as regards the origin of the universe. The most
popular belief is that the universe emerged from Hiranyagarbha, meaning the
golden womb. Hiranyagarbha floated around in water in the emptiness and the
darkness of non-existence. Ultimately, this golden egg split and the , whereas
Prithvi came out from the silver coloured lower half part.
Apart from the traditional human weapons like swords, daggers, spears, clubs,
shields, bows, arrows and maces, and the weapons used by the Gods (such as
Indra's thunderbolt Vajrayudha), the texts mention the utilization of various
divine weapons by various heroes, each associated with a certain God or deity.
These weapons are most often gifted to semi-divine beings, human beings or the
rakshasas by the Gods, sometimes as a result of penance.
There are several weapons which were believed to be used by the Gods of the
Hindu theology, some of which are Agneyastra, Brahmastra, Chakram, Garudastra,
Kaumodaki, Narayanastra, Pashupata, Shiva Dhanush, Sudarshana Chakra, Trishul,
Vaishnavastra, Varunastra, and Vayavastra.
Some of these weapons are explicitly classified ( for example, the Shiva Dhanush
is a bow, the Sudharshan Chakra is a discus and the Trishul is a trident), but
many other weapons appear to be weapons specially blessed by the Gods. For
example, the Brahmastra, Agneyastra (Sanskrit: Astra = divine weapon,
especially, one thrown at an opponent) and the other astras appear to be single
use weapons requiring an intricate knowledge of use, often depicted in art,
literature and adapted filmography as divinely blessed arrows.
Sometimes the astra is descriptive of the function, or of the force of nature
which it invokes. The Mahabharata cites instances when the Nagastra (Sanskrit:
Nag=snake) was used, and thousands of snakes came pouring down from the skies on
unsuspecting enemies. Similarly, the Agneyastra (Agni) is used for setting the
enemy ablaze, as the Varunastra (Varuna) is used for extinguishing flames, or
for invoking floods. Some weapons like the Brahmastra can only be used
(lethally) against a single individual.
Apart from the astras, other instances of divine or mythological weaponry
include armor (Kavacha), crowns and helmets, staffs and jewellery (Kundala).
The story of a great flood is mentioned in ancient Hindu texts, particularly the
Satapatha Brahmana. It is compared to the accounts of the Deluge found in
several religions and cultures. Manu was informed of the impending flood and was
protected by the Matsya Avatara of Lord Vishnu, who had manifested himself in
this form to rid the world of morally depraved human beings and protect the
pious, as also all animals and plants.
After the flood the Lord inspires the Manusmriti, largely based upon the Vedas,
which details the moral code of conduct, of living and the division of society
according to the caste system.
Hindu theology is not only about Gods and men, but classifies a host of
different kinds of celestial, ethereal and earthly beings.
[edit] Sapta Rishis
Lord Brahma, out of his thought, creates seven sages, or Sapta Rishis, to help
him in his act of creation. Sapta Rishis (sapta means seven and rishis mean
sages in Sanskrit). They are Bhrigu, Angira, Atri, Gautama, Kashyapa, Vashishta,
and Agastya. The other meaning of Saptarishis is constellation of Great Bear (Ursa
Major).
[edit] Pitrs
The Pitara, or fathers, were the first humans. The word 'Pitara' comes from the
word Pitri or Pita(In Hindi and Sanskrit) meaning Father. So it is about
paternity and paternal relations, and ancestors.
Hindu theology defines fourteen worlds (not to be confused with planets) - seven
higher worlds (heavens) and seven lower ones (hells). (The earth is considered
the lowest of the seven higher worlds.) The higher worlds are the seven vyahrtis,
viz. bhu, bhuvas, svar, mahas, janas, tapas, and satya (the world that is ruled
by Brahma); and the lower ones (the "seven hells" or paatalas) are atala, vitala,
sutala, rasaataala, talatala, mahaatala, paatala.[citation needed]
All the worlds except the earth are used as temporary places of stay as follows:
upon one's death on earth, the god of death (officially called 'Yama Dharma
Raajaa' - Yama, the lord of justice) tallies the person's good/bad deeds while
on earth and decides if the soul goes to a heaven and/or a hell, for how long,
and in what capacity. Some versions of the theology state that good and bad
deeds neutralize each other and the soul therefore is born in either a heaven or
a hell, but not both, whereas according to another school of thought, the good
and bad deeds don't cancel out each other. In either case, the soul acquires a
body as appropriate to the worlds it enters. At the end of the soul's time in
those worlds, it returns to the earth (is reborn as a life form on the earth).
It is considered that only from the earth, and only after a human life, can the
soul reach supreme salvation, the state free from the cycle of birth and death
and the place beyond the fourteen worlds where the eternal god lives.[citation
needed]
Hindu theology defines fourteen worlds (not to be confused with planets) - seven
higher worlds (heavens) and seven lower ones (hells). (The earth is considered
the lowest of the seven higher worlds.) The higher worlds are the seven vyahrtis,
viz. bhu, bhuvas, svar, mahas, janas, tapas, and satya (the world that is ruled
by Brahma); and the lower ones (the "seven hells" or paatalas) are atala, vitala,
sutala, rasaataala, talatala, mahaatala, paatala.[citation needed]
All the worlds except the earth are used as temporary places of stay as follows:
upon one's death on earth, the god of death (officially called 'Yama Dharma
Raajaa' - Yama, the lord of justice) tallies the person's good/bad deeds while
on earth and decides if the soul goes to a heaven and/or a hell, for how long,
and in what capacity. Some versions of the theology state that good and bad
deeds neutralize each other and the soul therefore is born in either a heaven or
a hell, but not both, whereas according to another school of thought, the good
and bad deeds don't cancel out each other. In either case, the soul acquires a
body as appropriate to the worlds it enters. At the end of the soul's time in
those worlds, it returns to the earth (is reborn as a life form on the earth).
It is considered that only from the earth, and only after a human life, can the
soul reach supreme salvation, the state free from the cycle of birth and death
and the place beyond the fourteen worlds where the eternal god lives.[citation
needed]
Several gods are believed to have had incarnations (avatars). As the protector
of life, one of the duties of Vishnu is to appear on the earth whenever a firm
hand is required to set things right. The epic Bhagavatha Purana is the
chronology of Vishnu's ten major incarnations (there are in total twenty six
incarnations): Matsya (fish), Kurma (turtle), Varaha (boar), Narasimha
(lion-faced human), Vamana (an ascetic in the form of a midget), Parasurama (a
militant Brahmin), Rama, Krishna, Gautam Buddha(later buddhists separated
themselves from Hindus), Kalki (a predicted warrior on a white horse who would
come in this yuga ) whose appearance also signals the beginning of the end of
the epoch.
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